Inside a circle of small loudspeakers installed in the geometry and introspective darkness of an empty hall, the audience is welcomed to share an intimate, immersive and site-specific listening experience that rearranges and expands some of the vocal and musical ideas of the Speaking cables device and overturns the fruition mode, the chromatic image and the idea of stage presence/action.

By leaving the narration to sound, listening opens windows on an invisible, plural and dreamy world, in that ancestral idea of sound as the ‘art of darkness’ and of voice as original substance that is capable of conducting collective rituals.